Choice ID Image Painting (From A to Z) Details
46325
Horses 042
This is oil painting of horses on canvas.
Oil on canvas, painted by our talent artists.
46326
Horses 043
This is oil painting of horses on canvas.
Oil on canvas, painted by our talent artists.
46327
Horses 044
This is oil painting of horses on canvas.
Oil on canvas, painted by our talent artists.
46328
Horses 045
This is oil painting of horses on canvas.
Oil on canvas, painted by our talent artists.
46329
Horses 046
This is oil painting of horses on canvas.
Oil on canvas, painted by our talent artists.
46330
Horses 047
This is oil painting of horses on canvas.
Oil on canvas, painted by our talent artists.
46331
Horses 048
This is oil painting of horses on canvas.
Oil on canvas, painted by our talent artists.
46332
Horses 049
This is oil painting of horses on canvas.
Oil on canvas, painted by our talent artists.
46288
Horses 05
This is oil painting of horses on canvas.
46333
Horses 050
This is oil painting of horses on canvas.
Oil on canvas, painted by our talent artists.
46334
Horses 051
This is oil painting of horses on canvas.
Oil on canvas, painted by our talent artists.
46335
Horses 052
This is oil painting of horses on canvas.
Oil on canvas, painted by our talent artists.
46336
Horses 053
This is oil painting of horses on canvas.
Oil on canvas, painted by our talent artists.
46337
Horses 054
This is oil painting of horses on canvas.
Oil on canvas, painted by our talent artists.
46289
Horses 06
This is oil painting of horses on canvas.
46290
Horses 07
This is oil painting of horses on canvas.
46291
Horses 08
This is oil painting of horses on canvas.
46292
Horses 09
This is oil painting of horses on canvas.
26279
Horses and Hunter
This is unknown artist's work.
42517
Horses, nose horns and oerossen
MK169
ca.25000-17000 v. Chr. Dye on limestone rock Chauvet-cave, Valley of the
Ardeche
48459
Hortus Conclusus of the Virgin Mary
mk190
c.1410
Stadelsches Kunstinstitut
48474
Hortus Euporiae
mk190
1604
From stephen Harrison,Arches of Triumph
JM
67655
hosten
kartusch i augsburgsska konstskapet
se
50607
Hot well
mk213
Oil on canvas
45576
House lass next to a table of full groceries
mk186
1859 private possessions
49570
How Sweden was getting sina existing inspect
mk201
Whom omraden was getting Sweden per peace in Roskilde
49312
Howard-s Grove Hospital,Richmond
mk195
1862-1864
Oil on canvas
21x30
56730
Hu - the last trial Naifu
mk250 Thebes, Egypt, Hu - Naifu unearthed the tomb, the 19th Dynasty, 1290-1280 BC, about the year. Papyrus scroll painting, 46 cm high. London British Museum
62556
Hubert Robert
1788 Oil on wood, 105 x 84 cm Musee du Louvre, Paris Artist: VIGeE-LEBRUN, elisabeth Title: Hubert Robert, Artist Date: 1751-1800 French , painting : portrait
72662
Hudson at the Tappan Zee
Date ca. 1876(1876)
Medium Oil on canvas
Dimensions 61 X 107.1 cm (24.02 X 42.17 in)
cyf
41383
Hugh Latimer
mk160
Bishop of Worcester
78225
Huile sur toile
Huile sur toile
74,5 x 96,5 cm
cjr
73881
huile sur toile Auguste Donnay
huile sur toile Auguste Donnay 1862-1921.MusXe de l'Art Wallon-LiXge.
cjr
71993
Hullo, Largess, A Harvest Scene in Norfolk
oil painting on canvas
1862(1862)
74049
Hunde vor der Hutte
1880
Oil on canvas, 35 x 44 cm
cyf
71894
Hunde vor der Hutte,
Hunde vor der Hxtte, 1880
Oil on canvas, 35 x 44 cm
49662
Hundsladarna am failing one quickly and effectively transport over isvidderna
mk199
Fagaren beneath anvander its Harpun in order to doda salar,da they am adoring be up to sina andningshal in ice
57132
Hunter
mk253 oil Moscow in 1871 Qiake Fu National Gallery collection
73799
Hunter on Horseback Attacked by a Lion
Date between 1735(1735) and 1765(1765)
Medium Oil on canvas
Dimensions 95.3 X 86.4 cm (37.52 X 34.02 in)
cyf
72179
Hunter on Horseback Attacked by a Mythical Beast
between 1735(1735) and 1765(1765)
Oil on canvas
95.3 X 86.4 cm (37.52 X 34.02 in)
cjr
73800
Hunter on Horseback Attacked by a Mythical Beast
Date between 1735(1735) and 1765(1765)
Medium Oil on canvas
Dimensions 95.3 X 86.4 cm (37.52 X 34.02 in)
cyf
56852
Hunters in the Snow
mk250 Year in 1565. Similar to the on-board oil, 116.8 x 162.6 cm. Vienna Art History Museum.
38315
Hunting
Ca 01
23x71in
Oil on canvas
38316
Hunting
Ca 01
21x27in
Oil on canvas
38317
Hunting
Ca 01
21x27in
Oil on canvas
38318
Hunting
Ca 01
21x27in
Oil on canvas
38319
Hunting
Ca 01
21x27in
Oil on canvas
38320
Hunting
Ca 01
21x27in
Oil on canvas
34095
hunting Baths
mk88
The Untidy assembly of domes and vaults has been remarkably well preserved in the sands for something like,1750 years
30371
Hunting Hares
mk68
Fresco
Madrid
Prado
c.1000
Spain
30939
Hunting Hares
mk68
c.1000
76386
Hunting Scenes
Hunting Scenes, oil on canvas painting by Jacques-Charles Oudry, mid 18th century.
cjr
48865
Hushallsbestyr
mk187
1794
Oil slick pa screen
61x48cm
79590
Hut in Popowca on Ukraine
about 1903;
oil, cardboard, 24 x 32,2 cm.
cjr
63087
Hyacinth
1680s Marble, under life-size Galleria di Palazzo Reale, Genoa Parodi created a remarkable set of four statues for the garden of the Palazzo Durazzo in Genoa. Drawn from Ovid's Metamorphoses, his figures were conceived as pairs and shared an appropriately horticultural theme of flowers: one pair featured Clytie and Hyacinth, who were beloved of Apollo and changed into flowers after their death. The interest here is very much the process of transformation - Clytie into a sunflower, Hyacinth into the flower that bears his name. Although the subject matter is somewhat unusual, Parodi's models are even more remarkable, for he has adapted them from late works by Bernini in an entirely different context. Clytie is a witty parody of the master's Truth from his unfinished Truth Unveiled, and her sunflower is derived from the sun held by Bernini's figure, but Hyacinth follows the unexpected example of the Angel with the Superscription from the Ponte Sant'Angelo in Rome, an intensely spiritual meditation that could hardly seem less appropriate. Artist: PARODI, Filippo Painting Title: Hyacinth , 1651-1700 Painting Style: Italian , sculpture Type: mythological
42515
Hyena and panther
MK169
ca.25000-17000 v. Chr Dye on kallksteenrots. Chauvet cave, Valley of the Ardeche
49794
Hyenan - as it were jackal - tin be one bath fascinate and pleasant creature
mk204
49793
Hyenan dodar often an Leo and able with forvanansvard speed consume sits loot
mk204
61492
I den har lantliga idyllen i grevskapet wicklow levde parnell innan politiken forde honom ut i varlden
mk275 I den har lantliga idyllen i grevskapet wicklow levde parnell innan politiken forde honom ut i varlden
61264
I en serie bilder visar
mk274 w hogarth hur en ung man, med de basta forutsattningar kan raka i lla ut hon deltar pa den har bilden i en nattlig orgie lagg marke till de bada gladjckorna gemensamt plundrar honom pa agdelar
43392
I exercise republican, peloton chichimeco and imperial execution
mk171
56813
I found the cross and prove
mk250 Arezzo, Italy, St. Francis Church Houdian. About the year 1455, frescoes, 356.5 x 193 cm.
61317
i mpressionistisk malning av gustav klimt
mk274 i mpressionistisk malning av gustav klimt
57785
i peter forsskals stambok har hans studiekamrat i gottingen
mk260
i peter forsskals stambok har hans studiekamrat i gottingen,dansken frederik seidelin
67035
i skydd av rokridaer
se
68228
i tolv vaggmalningar skildras karl
se
61312
i wien utbrot under revolutionsaret 1848 gatustrider i vilka studenterna tog en mycket aktiv del.
mk274 i wien utbrot under revolutionsaret 1848 gatustrider i vilka studenterna tog en mycket aktiv del.
68469
iakttagen
se
73356
Ice cream vender
1991, by russian artist Veniamin Ivanovich Borisov (b. 1935).
cyf
65249
Icon of St Nicholas
13th-14th century Egg tempera on panel, gesso ground, 107 x 82 cm The Hermitage, St. Petersburg Novgorod Veliky (Novgorod the Great) is one of the oldest Russian towns. In the 12th to 15th centuries it was the centre of a large republic, whose art was greatly influenced by popular ideas of beauty. This was especially striking in the art of painting of the 13th and early 14th centuries, the period to which the Hermitage icon of Saint Nicholas is dated. Its red background is usually noted, for the vivid red (cinnabar) background combined with the lemon-coloured halo and the bluishgreen vestment of the saint make a striking impression. The beauty of the icon is enhanced by the careful graphic treatment of the forms and by the ornamental design. The saint is represented as sublime and severe in accordance with the standard developed in the Christian art of Byzantium. But the vivid colours and embellishments adopted from folk art soften the hieratic posture and stern countenance, turning the austere Byzantine saint into the Russian Nik?la, who was believed to be involved in all of humans' daily doings and cares. Artist: UNKNOWN MASTER, Russian , Icon of St Nicholas , 1301-1350 , Russian , painting , religious
65250
Icon of St Theodore Stratilates and St Theodore Tyron
15th century Egg tempera on panel, gesso ground, 53,5 x 38 cm The Hermitage, St. Petersburg The ancient Novgorod school of painting is a remarkable and singular phenomenon in Russian art. This is especially evident from 15th century icon painting. A refined work of art, this icon in the Hermitage collection was produced by a skilful master who preferred graceful delicate forms and elongated proportions. The icon depicts two holy warriors. The features of their faces are small, which is a characteristic of the Novgorod icon-painting school. The saints' light figures are full of inner movement and their feet barely touch the ground. They are draped with flowing cloaks. The faces are dark with sharply contrasting light spots. In the colour scheme based primarily on the combination of ochre, red, brown and green, the cinnabar cloak of Theodore Stratilates is a bright spot on a light background. The haloes still retain traces of their original gilding. Artist: UNKNOWN MASTER, Russian , Icon of St Theodore Stratilates and St Theodore Tyron , 1451-1500 , Russian , painting , religious
65251
Icon of the Transfiguration
16th century Egg tempera on panel, gesso ground, 55,5 x 43,5 cm The Hermitage, St. Petersburg The icon of the Transfiguration creates a tremendous impression on its simplicity and clarity of composition, splendid drawing and bright coloration. On the mount are Christ in His glorious radiance and the Prophets Elijah and Moses conversing with him; below are apostles astonished by the miracle, Peter kneels in amazement and John and James fall dazzled by the light. The painter, illustrating the evangelical theme of Christ's miraculous transfiguration in the presence of his disciples, was, above all, an excellent colourist. On the light blue background and light ochre mountain he boldly laid thick, bright colours-green and red, yellow and brown, white, and dark to the point of blackness. Typical of none of the icon-painting schools, the icon of the Transfiguration with this light blue background can, owing to its artistic merits, rank among the finest examples of early Russian easel painting. Artist: UNKNOWN MASTER, Russian , Icon of the Transfiguration , 1501-1550 , Russian , painting , religious
41844
Icon-Painters Vanivka and Zdvyzen
mk165
The Nativity of Our Lady
41892
Iconostas from the church of the Holy Spirit
mk165
1650
30431
Ideal City
mk68
Oil on wood
23 1/2x6'6"
Urbino
61465
idyll fran sommarpalatset i s t petersburg pa 1830 talet
mk275 idyll fran sommarpalatset i s t petersburg pa 1830 talet
75736
Idyllic Roman Landscape
English: Idyllic Roman Landscape by Adolf Friedrich Harper, who painted this in 1790. It is on display at Ludwigsburg Palace in Germany.
Date 1790
cyf
67435
Ignacio Pinazo Camarlench El guardavla
Dimensions = 100.5 X 71.5 cm
Location = Valencia
Gallery = Museo de Bellas Artes de Valencia
Year = 1877
75252
Il gioco della cagnetta
Italiano: Il gioco della cagnetta. Dipinto ad olio su tavola del pittore Guido Marzulli - cm. 40x50.
cyf
65065
Illuminated Chronicle
300 x 210 mm National Sz?ch?nyi Library, Budapest The picture shows the title-page of the Illuminated Chronicle which contains the history of Hungary and represents the international artistic style of the royal courts in the court of Lajos (Louis) the Great. The Illuminated decoration of the manuscript was executed in Hungary before 1360 and it proves the knowledge of the Hungarian life, historical traditions and legends. According to an assumption it was made by the merited painter of the King, Hertul fia Mikl?s. , MINIATURIST, Hungarian , Illuminated Chronicle , 1351-1400 , Hungarian , illumination , historical
65100
Illuminated Chronicle
1360 Body colour, parchment, 300 x 210 mm National Sz?ch?nyi Library, Budapest This page of the Chronicle contains a miniature in a simple frame depicting the construction of the Cathedral in Nagyv?rad, and an initial P with King St Ladislas receiving foreign ambassadors. , MINIATURIST, Hungarian , Illuminated Chronicle , 1351-1400 , Hungarian , illumination , historical
65203
Illuminated Chronicle
1360 Illumination on parchment National Sz?ch?nyi Library, Budapest The illumination depicts the Capture of Gyula. Artist: MINIATURIST, Hungarian , Illuminated Chronicle , 1351-1400 , Hungarian , illumination , historical
45830
Illuminating light in the night
mk178seaweed-dynasty India ink on paper 30.8x34cm
30505
Illustration to the Tale of Monkeys
mk68
Painted handscroll
London,British Museum
1560-1570
Japan
50949
Immigrant
mk217
49783
Impalabock with hind in silhuett anti the tropical himlen
mk204
48416
Imperiale and his Family before the gardens of Villa di Sampierdarena
mk190
1642
Villa Cattaneo-Imperiale
49580
Important an they nya industries produce each ago Swede people wonder 1700- digits still hemslojdsvarorna
mk201
These ware balance of of kringvandrande gardfarihandlare
74084
Impression
Ölgemälde von Carsten Eggers, 60 x 70
cyf
37836
Impression painting
mk129
Oil on canvas
43380
In 1889 the Academy put to contest the fear mitica of the origin of the nacion, based on the Cronica mexicayotl
mk170
73208
In a barn.
In a barn. Aquarelle, paper. 17.2 x 26.8 cm.
cjr
72271
In a wine vault
August von Wille. In a wine vault (1886). Oil on canvas
cjr
56999
In accordance with the rules of accidental arrangement of collage
mk250 year in 1916-1917. Tear up the paper with the adhesive. 48.6 x 34.6 cm. New York Museum of Modern Art.
50830
IN adder avfoda,vem had entered your that soka escape the tillstundande vredesdomen
mk215
73595
In Altai Mountains
In Altai Mountains
cyf
35383
In Dusky Bay,New Zealand March 1773
mk102
Wash and watercolour
38.2x54.3cm
43458
In European Baroque Art
mk172
it was customary to find images of Skulls,dusty pages torn out of books,wilted flowers or dead
74334
In Gurzuf
Painting "In Gurzuf", by russian artist Anatoli Vasiliev
cyf
49639
In order to kunna attend to underline prompt pa its expedition tvars over Sydamerika barley Gonzalo and his husband a river in Amazon jungle
mk199
It was with the bdten as Orellano and his foljeslagare did its fard to Amazonflodens estuary
